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"Half the people in Hollywood are dying to be discovered and the other half are afraid they will be."           Lionel Barrymore

GENERAL INDUSTRY INFO
Guess what, people are not always what they seem to be.  This is especially true in the world of entertainment where the posers are always at epidemic levels.  This can hurt you if you don't protect yourself.  One great protection as well as a great source of general industry information is the Internet Movie Data Base or simply IMDB.  Always check out the reality of anyone proposing a deal or acting gig for you.  You always must know who you are dealing with and IMDB is one excellent resource. 

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AGENTS
Everyone must have an agent, right?  Well not necessarily but getting associated with a good agent can be extremely helpful for your career.  At first with little to no background getting a good agent can be a large challenge.  As your career grows the tide will shift and the top agents will be seeking you.  So if you are already a well established high visibility actor you can skip this.  But for new talent and still growing talent you might want to start with the roster of agents provided by the Association of Talent Agents.  By the way it is important to note that under California law all talent agencies must be licensed and bonded.  For your safety and security make sure any agent you sign with is in fact a lawfully licensed agent. 

Click here for ATA Agent Roster

MANAGERS

Managers are NOT talent agents although some do all they can to act as an agent to attract more clients.  Managers are also loosely regulated if at all.  What a manager is supposed to do is help talent with their business activities.  They will help them allocating their money wisely and assist them with making important career decisions including keeping them from taking on roles or public activities that would be adverse to the talent's career development.  They will even assist with routine matters such as making travel arrangements and perhaps assuring that a limo is available.  Good managers can be deeply useful to talent but their price is relatively high typically at 15% of the talents gross income.   Most actors just getting started frankly don't need a manager.  However, once a talent becomes steadily and profitably engaged employing a good manager might be desireable and arguably essential.  I would recommend getting a management referral from a trusted agent or lawyer. 

BREAKDOWN SERVICES
Not everyone wants or needs an agent.  And especially new talent may have some difficulty getting an agent.  And even when you do have an agent you may want to explore other acting options.  Think about this.  Since an agent only gets paid when you get paid they have no incentive to get you a non paying gig.  Yet again especially for the new talent there may well be times when you want to work for free or ultra low pay just to get experience and make connections.  To help you get acting jobs, both paid and unpaid, on stage or televsion or new media or film there are several "breakdown" services that can help you.  I recommend the following:  Actors Access, LA Casting and NOW Casting.  All of these provide services at very modest cost, a dollar or two per submission.   BEWARE of some that want substantial money. 

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BACKGROUND ACTORS a/k/a EXTRAS

Background acting will never make you rich or famous.  It can, however, provide modest income while pursuing a larger acting career.  And there are those whose comfort level is right there in being an extra.  So be it.  If your dreams reach beyond background, however, there are still some good reasons for doing extra work.  Yes, there is modest money usually between $50 to $150 per day.   You also gain valuable experience on set which will serve you well when the bigger deal comes along.  And you do get to meet and mingle somewhat with other actors, directors and other industry players.  One word of caution though is that if it is your objective to grow into larger roles do not splatter your resume with tons of background gigs.  There is a natural if arguably unfair tendency for casting directors to dismiss you as not serious when they see gobs of background jobs and not much else on your resume.  Probably the best way to get those background acting jobs is through Central Casting.  Central Casting has a track record since 1925.  They charge a modest registration fee but they do help those who want the job get the job.  

ENTERTAINMENT LAWYERS

Entertainment Law is a combination of general law topics such as contract law along with speciality areas such as intellectual property law.  The very moment you become involved with anything substantial in your career you really need a well qualified lawyer to work with you.  This is true whether you are an actor who just got your first big break, or a writer or director or producer moving into an area involving significant money.  The very best time to hire your lawyer is before you sign the deal.  Waiting until later will often involve litigation and that it is something you don't want to get involved with.  You know the old cliche' "An ounce of prevention is worth a pound of cure."  It is very true.  I can not at this point recommend any one lawyer so following is a link to a large list of entertainment law practitioners in the greater Los Angeles area. 

ESSENTIAL BOOKS

There have been a great many books written about Hollywood and movie making.  Following is my ever expanding list of those few books I consider exceptionally beneficial to anyone getting started in or advancing in the industry.  Please feel free to send your favorite to me for consideration.  There is no such thing as too much knowledge. 

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This is arguably the best book available for mastering the ways and means of financing a movie.  But even if you never intend to finance a movie it is a great read for getting a truly good look at the inside of the movie industry.  Not quite the same as getting your MFA but it is much faster and far less expensive.  Click on book for further details.
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This fun and handy little pocket book will keep the newbies from sounding silly when they get on a set for the first time.  No PhD thesis work to be sure, but lots of fun and written by Academy Award winner Tony Bill and endorsed by some guy named Steven Spielberg.  So maybe a good read, huh? 

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If you want to be a film actor maybe it would be a great idea to learn from one of the very best, Michael Caine.  This book is available at Amazon.com and probably through your local book store.